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I hate it already. A gay anthem, whether it’s “I Will Survive” or “The Man That Got Away” or “And I’m Telling You I’m Not Going,” BECOMES a gay anthem because we find ourselves empathizing with the singer’s passion or pain or exuberance. It’s the realization that their pain is our pain too, that their joy is our joy etc. It’s that our commonality has brought us together.

“It’s ALMOST NEVER because it was written FOR GAY MEN TO HELP GAY MEN DEAL WITH BEING GAY MEN. That’s just cynical and obvious. It’s like bit like Susan Sontag’s explanation of “pure camp” being something that strives for greatness but fails spectacularly, while “contrived camp” is something that intentionally sets out to be bad and cannot, therefore, be as satisfying.

“Gaga here isn’t allowing us the choice of deciding whether or not this song will be a gay anthem (like “Bad Romance”), she’s TELLING US that it is, and that makes it somehow less pure and less satisfying. It’s contrived. I haven’t heard the melody yet, and although I’m sure it will be a foot-stomper, I already feel manipulated.

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